I get the question a lot.
Why wasn’t I a theater kid in high school?
It’s a fair question. I’ve asked myself it on occasion. Why wasn’t I a theater kid? I love theater. I always have. I was in plays as a kid.
I was in plays as a kid.
Why did I stop?
Why did I stop.
I learned something as a kid. Something that I didn’t manage to unlearn until my senior year of high school.
I was in plays as a kid. As a side part. An ensemble member.
Now, I don’t harbor delusions of grandeur. I don’t think I was some amazing star kid.
But I know I was good. Good in a way that I’m not, now, because I stopped trying. I got singing solos at concerts. I was pretty good.
But I never got to be a lead character.
These weren’t my stories. I didn’t get to be the star. My face wasn’t the one people wanted to see.
(A remind, for those who haven’t kept up- I’m an American Born Chinese, and I grew up in a predominantly white town. See more on that here.)
And I got that. From the many child plays I was in, to Into the Woods Jr in middle school. I got it. Not my place. Stories like Mulan are mine- Cinderella is not.
(I was too young then to realize the stories I would be allowed to play- Miss Saigon, The King and I- were caricatures of what I should really get.)
It meant I didn’t feel it was my place to come back, to be a part of theater in high school.
(None of this, by the way, was a conscious thought. I did not realize this was why until the other day, when I was reading someone else’s thought piece- found here– on Miss Saigon, and realized how I felt about theater was intrinsically part of my identity.)
I joined marching band- color guard, specifically. (I only was part of it for 2 years.)
But in 2015 (my senior year), Hamilton debuted. Phillipa Soo played Eliza Hamilton in front of the Nation and was beloved for it.
In 2015, Allegiance debuted. People adored it. They loved George Takei.
In 2016, Ali Ewoldt became the first Asian-American Christine Daaé in The Phantom of the Opera, one of my all time favorite musicals (and honestly what probably would have, at one point, been one of my dream roles.)
In 2017, Diana Huey was cast as the first Asian- Japanese, specifically- as Ariel in an American production of The Little Mermaid.
Clearly, what I learned as a child was incorrect. These stories were mine, too, though getting them is an uphill battle.
I’m not saying that the world is suddenly fixed. I’m not saying that I wanted to get in theater, and was stopped by wild racism.
I’m just saying that once upon a time I didn’t see myself represented in theater. Now I do.
And that’s kind of cool.